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040			_aMAIN
041			_aEng
100			_aFalls,Susan _963520
245			_aBranding Authenticity: _bCambodian Ikat in Transnational Artisan Partnerships (TAPs)/ _cSusan Falls and Jessica Smith
260			_aOxford: _bOxford University Press, _c2011.
300			_aVolume 24, Issue 3, September 2011, (255–271p.)
310			_aQuarterly
520			_aThis article is based on research of Cambodian silk woven ikat textiles produced at the behest of what we are calling Transnational Artisan Partnerships (TAPs). We analyse the role TAPs play in the production of value, particularly with regard to aesthetics, marketing, notions of authenticity and green consumerism. First-World TAP participants often support a continued asymmetrical reliance on the developed world. While this dynamic is apparent in more obvious commercialized approaches that provide Westernized trend and market research to weavers, cottage-industry style TAPs, although more subtle in their colonizing impulses, continue to foster the construction of an exotic Other through (often inadvertent) promotion of invented traditions. We consider the extent to which TAP organizations function as arbiters of Cambodian design choice within their own localized heritage.
650			_aAeshetics _y19th Century _zEurope _963521
650			_aCraft Theory _963522
650			_aDyeing _954050
773	0		_09229 _913522 _dOxford: Oxford University Press, 2011. _oJ000329 _tJournal of Design History _x0952-4649
856			_uhttps://doi.org/10.1093/jdh/epr025
942			_cART
999			_c15387 _d15387