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008			241223b |||||||| |||| 00| 0 eng d
040			_aMAIN
041			_aEng
100			_aCambridge,Nicolas _963499
245			_aCherry-Picking Sartorial Identities in Cherry-Blossom Land: _b Uniforms and Uniformity in Japan/ _cNicolas Cambridge
260			_aOxford: _bOxford University Press, _c2011.
300			_aVolume 24, Issue 2, May 2011, (171–186 p.)
310			_aQuarterly
520			_aThis article documents the role of uniforms in Japan’s project of modernity and beyond, building on research that has identified prescribed modes of dress as fundamental to the politics and poetics of a highly regulated society. A thematically organized account begins with a brief introduction to the indigenous apparel system prior to adoption of European versions of formal and military dress as the ‘uniform of civilization and enlightenment’. The discussion next considers the use of liveries as the private sector spearheaded a burgeoning commercialization of metropolitan life in the early twentieth century. A flexible interpretation of the term ‘uniform’ is taken in order to examine the referencing of traditional dress forms by Japanese designers through object analysis of the creative outputs of the fashion industry and visual analyses of imagery culled from the canon of fashion representation. The youthful self-fashionings of identity currently occurring in Japan are addressed for their contributions to current popular culture and the conclusion suggests that debates concerning the embodying of power relationships in dress might benefit from critical refraction through a prism able to accommodate the ubiquity of uniforms in Japan.
650			_aCultural interaction _y19th Century _zEurope _963500
650			_aModernity
773	0		_09229 _913522 _dOxford: Oxford University Press, 2011. _oJ000329 _tJournal of Design History _x0952-4649
856			_u https://doi.org/10.1093/jdh/epr005
942			_cART
999			_c15382 _d15382