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040			_aMAIN
041			_aEng
100			_aCarter,Karen L. _963803
245			_aThe Spectatorship of the Affiche Illustrée and the Modern City of Paris, 1880–1900/ _cKaren L. Carter
260			_aOxford: _boxford University Press, _c2012.
300			_aVolume 25, Issue 1, March 2012( 11–31 p.)
310			_aQuarterly
500			_a
520			_aAs a response to Susan Sontag’s classic writing on the poster, this essay analyses the phenomenon of the French ‘pictorial’ publicity poster, which developed in concert with a specific type of spectatorship delineated in contemporary poster criticism as linked to the city of Paris at the end of the nineteenth century. By comparing the collective reading of political placards and announcements in the early modern period to the hurried viewing of illustrated publicity posters at the dawn of the consumer economy, this essay contextualizes the poster’s spectatorship as dependent upon its conditions of public display in Paris after the city’s renovation and rationalization under Haussmannization.
650			_aCriticism _y19th Century _zFrance _zParis _963804
650			_aLithography _963805
650			_aPoster Design _963806
773	0		_09229 _913521 _dOxford Oxford University Press _oJ000524 _tJournal of design history _x0952-4649
856			_u https://doi.org/10.1093/jdh/epr014
942			_cART
999			_c15369 _d15369