| 000 | 00884nab a2200181 4500 | ||
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| 003 | OSt | ||
| 005 | 20230713144126.0 | ||
| 007 | cr aa aaaaa | ||
| 008 | 230713b |||||||| |||| 00| 0 eng d | ||
| 100 |
_aFreeman, Cristina Garduño _955730 |
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| 245 | _aIn the Eye of the Beholder/ | ||
| 260 |
_bWiley, _c2020. |
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| 300 | _aVol 90, Issue 4, 2020:( 88-93 p.). | ||
| 520 | _aIs there a value in people's relationships with iconic buildings? Cristina Garduño Freeman argues there is – and that these social relationships can be identified and evaluated via digital ethnography. She illustrates her thesis using the Sydney Opera House and demonstrates how its ‘iconomy’ is a valuable social and economic asset. | ||
| 773 | 0 |
_08720 _916908 _dWest Sussex John Wiley & Sons Ltd. 1999 _tArchitectural design _x0003-8504 |
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| 856 | _uhttps://doi.org/10.1002/ad.2595 | ||
| 942 |
_2ddc _cEJR |
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| 999 |
_c13728 _d13728 |
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