| 000 | 01628nab a2200229 4500 | ||
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| 003 | OSt | ||
| 005 | 20220802155534.0 | ||
| 007 | cr aa aaaaa | ||
| 008 | 220802b |||||||| |||| 00| 0 eng d | ||
| 100 |
_aHawkins, Harriet _950587 |
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| 245 |
_aGeography’s creative (re)turn: _bToward a critical framework/ |
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| 260 |
_bSage, _c2019. |
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| 300 | _aVol 43, issue 6, 2019 : (963-984 p.). | ||
| 520 | _aThe latest ‘turn’ to appear on geography’s intellectual horizons pivots around creativity. Geographers long fascinated with the practices of poetry, visual art, photography, performance, dance, cabaret, story-telling and more, are becoming creators and collaborators (rather than simply analysts). My intention here is not to get caught up in debating whether this is in fact a turn; rather, I look to wider interdisciplinary ‘turn talk’ as a source from which to build a much-needed critical framework for these recent disciplinary developments. Five dimensions of this critical framework are posed: histories, geographies, imaginaries, expertise and politics. By no means exhaustive, these dimensions gesture towards critical perspectives on the current intensification and future practice of creative geographies, exploring possibilities but also, importantly, addressing challenges. | ||
| 650 |
_aart-full, _950588 |
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| 650 |
_acreative (re)turn, _950589 |
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| 650 |
_acreativity, _950481 |
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| 650 |
_amethods _950590 |
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| 773 | 0 |
_012579 _916491 _dLondon: Sage Publication Ltd, 2019. _tProgress in human geography/ _x 03091325 |
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| 856 | _uhttps://doi.org/10.1177/0309132518804341 | ||
| 942 |
_2ddc _cART |
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_c12652 _d12652 |
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