000			01507nab a2200253 4500
003			OSt
005			20220801164152.0
007			cr aa aaaaa
008			220728b |||||||| |||| 00| 0 eng d
100			_aTolia-Kelly, Divya P. _950257
245			_aRancière and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum/
260			_bSage, _c2019.
300			_aVol 43, issue 1, 2019 : (123-140 p.).
520			_aThrough aesthetics we can articulate affective politics and demonstrate new ways of ‘doing’ progressive politics. This article explores the politics and practice of dissensus within the museum with artist Rosanna Raymond. The article argues that the museum space, when critiqued through a postcolonial perspective and artistic practice, can be a vehicle for political change. Using Ranciere’s account of ‘politics’, the article outlines how a ‘redistribution of the sensible’ might be possible, one that that is inclusive of Maori space-time, self-determined cultural values and geoaesthetics.
650			_adissensus, _949142
650			_a museum, _950258
650			_apostcolonial, _949634
650			_aRancière, _949072
650			_a Rosanna Raymond, _950259
650			_a sensibilities _950260
773	0		_012579 _916491 _dLondon: Sage Publication Ltd, 2019. _tProgress in human geography/ _x 03091325
856			_uhttps://doi.org/10.1177/0309132517739141
942			_2ddc _cART
999			_c12587 _d12587