000			02136nab a2200241 4500
003			OSt
005			20220802151855.0
007			cr aa aaaaa
008			220722b |||||||| |||| 00| 0 eng d
100			_aMargulies ,Jared D _949683
245			_aOn coming into animal presence with photovoice /
260			_bSage, _c2019.
300			_aVol 2, issue 4, 2019 : (850-873 p.).
520			_aMethodological advancement within more-than-human geography lags behind its theorization. As an intervention into the promise of visual methods for enlivening more-than-human geographies, I describe working with a photographic practice for exploring geographies of encounter between humans, the animals they care for, and wild animals. This is presented through discussing a collaborative project employing photovoice to explore wildlife conservation politics in a landscape where both humans and animals have the capacity to kill, and be killed, by one another. Through engaging with photographs and text produced over the course of six months by six individuals living in close proximity to Bandipur National Park in Karnataka, India, I explore entangled relations between humans and animals and the production of more-than-human hierarchies. I consider the potential of a visual method for practicing more-than-human geographies as an exploration of affective encounters. This paper contributes to on-going discussions and debates on decolonizing more-than-human geographies. More specifically, I suggest photovoice as one means by which more-than-human geographies can remain critically engaged with and speak out against enactments of injustice and violent legacies of colonialism that reach across species divides.
650			_aMore-than-human geography, _949658
650			_avisual methods, _947915
650			_a wildlife conservation, _949684
650			_aconservation politics, _949685
650			_aanimal encounter, _949686
773	0		_012446 _916479 _dLondon: Sage Publication Ltd, 2019. _tEnvironment and Planning E: Nature and Space/ _x 25148486
856			_uhttps://doi.org/10.1177/2514848619853060
942			_2ddc _cART
999			_c12497 _d12497