000			01480nab a2200229 4500
999			_c10564 _d10564
003			OSt
005			20200908105420.0
007			cr aa aaaaa
008			200908b ||||| |||| 00| 0 eng d
100			_a Hubbard, Phil _929866
245			_aWalking a lonely path: gender, landscape and ‘new nature writing’
300			_aVol 26, Issue 2, 2019:(253-261 p.)
520			_a‘New’ nature writing in Britain has been praised for shifting the focus of landscape appreciation towards the vernacular, the quotidian and the marginal. However, it has sometimes been accused of being insufficiently critical, and occluding questions of class, race and gender. Noting this, this article considers Carol Donaldson’s On the Marshes – an account of the diverse life of the north Kent marshes – in relation to debates concerning the way that the landscape is both walked and written. It concludes that Donaldson’s book offers a familiar trope of self-discovery via solitude, but that this takes on distinctly political dimensions given her ‘bold walking’ rejects many dominant assumptions about the way that women should experience and relate to nature.
650			_aBritain _929867
650			_aedgelands _929868
650			_aliterature _929837
650			_amarshes _929869
700			_aWilkinson, Eleanor _929870
773	0		_010528 _915377 _dSage publisher 2019 _tCultural geographies
856			_uhttps://doi.org/10.1177%2F1474474018811663
942			_2ddc _cART