000			02102 a2200277 4500
003			OSt
005			20191219175726.0
008			191219b xxu||||| |||| 00| 0 eng d
020			_a9780815362302
040			_cSPAB
041			_aeng
082			_a303.6 _bEDW-G
100			_aEdwards,Emily _923451
245			_aGraphic violence: _bIllustrated theories about violence, popular media, and our social lives/ _cEdwards Emily, Fuller Tristan
260			_bRoutledge, _c2019. _aNew York;
300			_ax, 295 p.
505			_a 1. The Characteristics of Story: Conflict, Chronicle, and Violence 2. The Journeys of Brutal Stories 3. Helpless Audiences and The Magic Bullet 4. Obstinate Violence 5. Learning Violence: The Drama of Aggression 6. Mean Worlds and Remorseless Strangers With Guns 7. What an Audience Wants: Selection, Gratification, and Violence 8. Gender, Hyper-Masculinity, and the Violent Story 9. Terrorism, War, and Media Systems 10. The Violent Aesthetic
520			_aGraphic Violence provides an innovative introduction to the relationship between violence and visual media, discussing how media consumers and producers can think critically about and interact with violent visual content. It comprehensively surveys predominant theories of media violence and the research supporting and challenging them, addressing issues ranging from social learning to representations of war and terrorism, to gender and hyper-masculinity. Each chapter features original artwork presenting a story in the style of a graphic novel to demonstrate the concepts at hand. Truly unique in its approach to the subject and medium, this volume is an excellent resource for undergraduate students of communication and media theory as well as anyone interested in understanding the causes and effects of violence in media
600			_aFuller, Tristan _923452
650			_aGEN _923453
650			_aHumanities--Media Psychology _923454
650			_aMedia Theory _923455
650			_aMedia & Communications _923456
650			_aCommunication Studies -- Communication Theory _923458
942			_2ddc _cBK
999			_c10333 _d10333