Industrial design reader / edited by Carma Gorman

Contributor(s):

Gorman, Carma [ed.]

Material type: Text

TextLanguage: English Publication details: New York : Allworth Press, 2003.Description: xi, 243 p. : illISBN:

9781581153101
1581153104

Subject(s):

Industrial Design -- History

DDC classification:

745.2 IND

Contents:

Contents : 1851-1875-- 1852: Henry Cole, "On the International Results of the Exhibition of 1851"-- 1852: Horatio Greenough, "The Law of Adaptation"-- 1853: John Ruskin, "The Nature of Gothic"-- 1856: Owen Jones, Grammar of Ornament-- 1867: Karl Marx, "The Capitalist Character of Manufacture"-- 1868: Charles Eastlake, Hints on Household Taste-- 1873: Christopher Dresser, Principles of Decorative Design-- 1876-1900-- 1877: William Morris, "The Lesser Arts"-- 1882: Lewis Foreman Day, "To Ladies and Amateurs"-- 1893: Candace Wheeler, "Decorative and Applied Art"-- 1897: Henry van de Velde, "A Chapter on the Design and Construction of Modern Furniture"-- 1899: Thorstein Veblen,"Pecuniary Canons of Taste"-- 1901-1925-- 1901: Frank Lloyd Wright, "The Art and Craft of the Machine"-- 1905: Josef Hoffmann and Koloman Moser, "The Work-Program of the Wiener Werkstätte"-- 1908: C. R. Ashbee, Craftsmanship in Competitive Industry-- 1909: Filippo Tommaso Marinetti, "The Foundation and Manifesto of Futurism"-- 1910: Adolf Loos, "Ornament and Crime"-- 1911: Hermann Muthesius, "Aims of the Werkbund"-- 1911: Frederick Winslow Taylor, The Principles of Scientific Management-- 1914: Hermann Muthesius and Henry van de Velde, Statements from the Werkbund Conference of 1914-- 1919: Christine Frederick, "The Labor-Saving Kitchen"-- 1919: Walter Gropius, "Program of the Staatliche Bauhaus in Weimar"-- 1922: Theo van Doesburg, "The Will to Style"-- 1922: Alexander Rodchenko and Varvara Stepanova, "Program of the First Working Group of Constructivists"-- 1923: Le Corbusier, "Eyes Which Do Not See: Automobiles"-- 1925: Helen Appleton Read, "The Exposition in Paris"-- 1926-1950-- 1928: Henry Ford, "Machinery, The New Messiah"-- 1930: Fortune, "Color in Industry"-- 1930: Sigmund Freud, Civilization and Its Discontents-- 1932: Earnest Elmo Calkins, "What Consumer Engineering Really Is"-- 1934: Alfred H. Barr, Jr. and Philip Johnson, Machine Art-- 1934: Norman Bel Geddes, "Streamlining"-- 1935: Marcy Babbitt, "As a Woman Sees Design: An Interview with Belle Kogan"-- 1936: Fortune, "What Man Has Joined Together..." -- 1940: Harold Van Doren, "The Designer's Place in Industry"-- 1941: Eliot Noyes, Organic Design in Home Furnishings-- 1950: Edgar Kaufmann, jr., What is Modern Design? -- 1951-1975-- 1951: Raymond Loewy,"The MAYA Stage"-- 1953: Dwight D. Eisenhower, "Peaceful Uses of Atomic Energy"-- 1955: Henry Dreyfuss, "Joe and Josephine"-- 1958: Program of the Hochschule für Gestaltung, Ulm-- 1959: Richard Nixon and Nikita Khrushchev, "The Kitchen Debate"-- 1963: Ann Ferebee, "Is Industrial Design Color Blind?" -- 1964: Edward Carpenter, "Statement: The Designing Women"-- 1965: Ralph Nader, Unsafe at Any Speed-- 1966: Robert Venturi, Complexity and Contradiction in Architecture-- 1969: R. Buckminster Fuller, Operating Manual for Spaceship Earth-- 1971: Victor Papanek, Design for the Real World-- 1973: Richard Nixon, "Address to the Nation About Policies To Deal With the Energy Shortages"-- 1976-2000-- 1976: Alexander Kira, "Historical Aspects of Personal Hygiene Facilities"-- 1984: Klaus Krippendorff and Reinhart Butter, "Product Semantics: Exploring the Symbolic Qualities of Form"-- 1984: Barbara Radice, "Memphis and Fashion"-- 1984: Dieter Rams, "Omit the Unimportant"-- 1985: The Japan Management Association, "Just-In-Time at Toyota"-- 1988: C. Thomas Mitchell, "The Product As Illusion"-- 1990: Americans With Disabilities Act (U. S. Public Law 101-336) -- 1991: Kenichi Ohmae, "Global Products"-- 1992: David H. Rice, "What Color Is Design?" -- 1996: Charles Jencks, "The Post-Modern Information World and the Rise of the Cognitariat"-- 1998: Kenji Ekuan, "Japanese Aesthetics"-- 1999: Hartmut Esslinger, "Frog Stands For..."-- 1999: Donald Norman, "Time for a Change: Design in the Post-Disciplinary Era"--

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode	Item holds
Books	Library, SPAB L-1	Non Fiction	745.2 IND (Browse shelf(Opens below))	Available		008087

Total holds: 0

Includes bibliographical references and index.

Contents :
1851-1875--
1852: Henry Cole, "On the International Results of the Exhibition of 1851"--
1852: Horatio Greenough, "The Law of Adaptation"--
1853: John Ruskin, "The Nature of Gothic"--
1856: Owen Jones, Grammar of Ornament--
1867: Karl Marx, "The Capitalist Character of Manufacture"--
1868: Charles Eastlake, Hints on Household Taste--
1873: Christopher Dresser, Principles of Decorative Design--

1876-1900--
1877: William Morris, "The Lesser Arts"--
1882: Lewis Foreman Day, "To Ladies and Amateurs"--
1893: Candace Wheeler, "Decorative and Applied Art"--
1897: Henry van de Velde, "A Chapter on the Design and Construction of Modern Furniture"--
1899: Thorstein Veblen,"Pecuniary Canons of Taste"--

1901-1925--
1901: Frank Lloyd Wright, "The Art and Craft of the Machine"--
1905: Josef Hoffmann and Koloman Moser, "The Work-Program of the Wiener Werkstätte"--
1908: C. R. Ashbee, Craftsmanship in Competitive Industry--
1909: Filippo Tommaso Marinetti, "The Foundation and Manifesto of Futurism"--
1910: Adolf Loos, "Ornament and Crime"--
1911: Hermann Muthesius, "Aims of the Werkbund"--
1911: Frederick Winslow Taylor, The Principles of Scientific Management--
1914: Hermann Muthesius and Henry van de Velde, Statements from the Werkbund Conference of 1914--
1919: Christine Frederick, "The Labor-Saving Kitchen"--
1919: Walter Gropius, "Program of the Staatliche Bauhaus in Weimar"--
1922: Theo van Doesburg, "The Will to Style"--
1922: Alexander Rodchenko and Varvara Stepanova, "Program of the First Working Group of Constructivists"--
1923: Le Corbusier, "Eyes Which Do Not See: Automobiles"--
1925: Helen Appleton Read, "The Exposition in Paris"--
1926-1950--
1928: Henry Ford, "Machinery, The New Messiah"--
1930: Fortune, "Color in Industry"--
1930: Sigmund Freud, Civilization and Its Discontents--
1932: Earnest Elmo Calkins, "What Consumer Engineering Really Is"--
1934: Alfred H. Barr, Jr. and Philip Johnson, Machine Art--
1934: Norman Bel Geddes, "Streamlining"--
1935: Marcy Babbitt, "As a Woman Sees Design: An Interview with Belle Kogan"--
1936: Fortune, "What Man Has Joined Together..." --
1940: Harold Van Doren, "The Designer's Place in Industry"--
1941: Eliot Noyes, Organic Design in Home Furnishings--
1950: Edgar Kaufmann, jr., What is Modern Design? --
1951-1975--
1951: Raymond Loewy,"The MAYA Stage"--
1953: Dwight D. Eisenhower, "Peaceful Uses of Atomic Energy"--
1955: Henry Dreyfuss, "Joe and Josephine"--
1958: Program of the Hochschule für Gestaltung, Ulm--
1959: Richard Nixon and Nikita Khrushchev, "The Kitchen Debate"--
1963: Ann Ferebee, "Is Industrial Design Color Blind?" --
1964: Edward Carpenter, "Statement: The Designing Women"--
1965: Ralph Nader, Unsafe at Any Speed--
1966: Robert Venturi, Complexity and Contradiction in Architecture--
1969: R. Buckminster Fuller, Operating Manual for Spaceship Earth--
1971: Victor Papanek, Design for the Real World--
1973: Richard Nixon, "Address to the Nation About Policies To Deal With the Energy Shortages"--

1976-2000--
1976: Alexander Kira, "Historical Aspects of Personal Hygiene Facilities"--
1984: Klaus Krippendorff and Reinhart Butter, "Product Semantics: Exploring the Symbolic Qualities of Form"--
1984: Barbara Radice, "Memphis and Fashion"--
1984: Dieter Rams, "Omit the Unimportant"--
1985: The Japan Management Association, "Just-In-Time at Toyota"--
1988: C. Thomas Mitchell, "The Product As Illusion"--
1990: Americans With Disabilities Act (U. S. Public Law 101-336) --
1991: Kenichi Ohmae, "Global Products"--
1992: David H. Rice, "What Color Is Design?" --
1996: Charles Jencks, "The Post-Modern Information World and the Rise of the Cognitariat"--
1998: Kenji Ekuan, "Japanese Aesthetics"--
1999: Hartmut Esslinger, "Frog Stands For..."--
1999: Donald Norman, "Time for a Change: Design in the Post-Disciplinary Era"--

There are no comments on this title.

to post a comment.

Click on an image to view it in the image viewer