Transformations : (Record no. 5305)

MARC details
000 -LEADER
fixed length control field 02423cam a2200253 i 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20201210161159.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 121115s2013 enka 001 0 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9780415500104 (hardback)
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 724.16
Item number TAD-T
100 1# - MAIN ENTRY--AUTHOR NAME
Personal name Tadgell, Christopher,
245 10 - TITLE STATEMENT
Title Transformations :
Remainder of title Baroque and Rococo in the age of absolutism and the Church Triumphant /
Statement of responsibility, etc Christopher Tadgell.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication Oxon :
Name of publisher Routledge,
Year of publication 2013.
300 ## - PHYSICAL DESCRIPTION
Number of Pages viii, 967 p.
490 0# - SERIES STATEMENT
Series statement Architecture in context ;
500 ## - GENERAL NOTE
General note Includes index.
520 ## - SUMMARY, ETC.
Abstract, etc "Unprecedented in scope like its companion volume on the High Renaissance, Transformations, this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries - particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo. It begins with an outline of the politics of Absolutism and its opposite over the century from the Thirty Years' War to the War of the Austrian Succession: this is illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era. The first substantive section deals with the seminal masters active in Rome - Maderno, Cortona, Borromini and Bernini - and their contemporaries there, in Venice and in Piedmont. The second section deals with the seminal French masters - above all Franȯis Mansart, Louis Le Vau, Andre Le Nt̥re, Jules-Hardouin Mansart and the latter's followers who developed the Rococo style in the domestic field. The rest of the book is divided into three large sections: the Protestant North - the Netherlands, Denmark, Sweden and Britain; the Divided Centre - the Catholic powers of central Europe and southern Germany, the Protestants of northern Germany and the Orthodox Russians; the Catholic South - the Iberian kingdoms and their dominions in southern Italy and the Americas"--
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term Architecture, Baroque.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term Architecture, Rococo.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term ARCHITECTURE / General.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term ARCHITECTURE / History / General.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term ARCHITECTURE / History / Renaissance.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Books
Holdings
Lost status Damaged status Collection code Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Full call number Accession Number Koha item type
    Non Fiction Library, SPAB Library, SPAB J-2 07/11/2013 SPAB/LIB/13-14/B409 | 2013-10-04 | IN6023/13-14 | 2013-10-17 | Shankar | GBP65.00 | Rs6955.00 65.00 724.16 TAD-T 007094 Text/Reserve Book

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