"Radio Campanile’: (Record no. 15383)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02065nam a2200229 4500 |
| 005 - DATE & TIME | |
| control field | 20241224111232.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 241224b |||||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | Library, SPAB |
| 041 ## - Language | |
| Language | Eng |
| 110 ## - MAIN ENTRY--CORPORATE NAME | |
| Corporate name | Goldie Christopher T. |
| 245 ## - TITLE STATEMENT | |
| Title | "Radio Campanile’: |
| Sub Title | Sixties Modernity, the Post Office Tower and Public Space |
| Statement of responsibility | Christopher T. Goldie |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | Oxford: |
| Name of publisher, distributor, etc | Oxford University Press, |
| Date of publication, distribution, etc | 2011. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Pages | Volume 24, Issue 3, September 2011, ( 207–222 p.) |
| 310 ## - CURRENT PUBLICATION FREQUENCY | |
| Current publication frequency | Quarterly |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | No serious work has examined the history of the Post Office Tower, although recently it has figured in popular architecture and design journalism. Thus, Jonathan Glancey and Stephen Bayley have both referred to the tower’s significance in the 1960s and interpreted it as a symbol of the technological modernization of Harold Wilson’s ‘white heat’ of the ‘scientific revolution’. This article acknowledges that the Post Office Tower’s modernity is central to any interpretation but argues that white heat explanations are problematic and that its evolving design and public meaning were shaped by a wide range of factors, long preceding the 1960s Labour government, and are best understood in the context of an earlier and more protracted history. This historical context was the contested modernity of the late 1950s and issues around planning, landscape, popular access and democratic citizenship with their origins in the early post-war period. The latter issues are examined through debates about picturesque theory and through Adrian Forty’s discussion of welfare state architecture and the Festival Hall. It is argued that this focus reveals underlying but previously neglected aspects of the Post Office Tower’s design history. |
| 650 ## - Subject | |
| Subject | Architecture |
| Chronological subdivision | 19th Century |
| Geographic subdivision | Europe |
| 650 ## - Subject | |
| Subject | Public Space |
| 650 ## - Subject | |
| Subject | Picturesque |
| 773 0# - HOST ITEM ENTRY | |
| Host Biblionumber | 9229 |
| Host Itemnumber | 13522 |
| Place, publisher, and date of publication | Oxford: Oxford University Press, 2011. |
| Other item identifier | J000329 |
| Title | Journal of Design History |
| International Standard Serial Number | 0952-4649 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://doi.org/10.1093/jdh/epr022 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Articles |
| 110 ## - MAIN ENTRY--CORPORATE NAME | |
| -- | 63524 |
| 650 ## - Subject | |
| -- | 63508 |
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