On the 10-year anniversary of minecraft: (Record no. 12965)
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fixed length control field | 01672nab a2200181 4500 |
005 - DATE & TIME | |
control field | 20220914112158.0 |
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100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Brazelton, Bennett |
245 ## - TITLE STATEMENT | |
Title | On the 10-year anniversary of minecraft: |
Sub Title | two interventions in extractive colonialism |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Name of publisher, distributor, etc | sage |
Date of publication, distribution, etc | 2020 |
300 ## - PHYSICAL DESCRIPTION | |
Pages | Vol 27, Issue 3 , 2020 : (491–497 p.). |
520 ## - SUMMARY, ETC. | |
Summary, etc | In light of the 10-year anniversary of the release of Minecraft, the wildly popular survival/building game, this retrospective considers the game as a vastly impactful digital text of settler colonialism. The ways in which the game’s ‘survival mode’ approaches the extraction of resources from land is fundamentally entangled in colonial fictions of indigeneity, gendered systems of property, and a Euro-humanist sense of entitlement and ownership. Considering Minecraft as a colonial text allows for two theoretical and aesthetic interventions: first, the visual art of Peruvian-American Eamon Ore-Giron, who challenges colonial extractivism in the two-channel piece, Morococha, and second, the 2006 flash game released by XGen Studies, Motherload, which approaches mining-based gameplay with key differences. These two interventions highlight the importance of digital realms as a terrain of colonial space-making and thus a site of analysis for cultural geographers. Moreover, they may help to chart useful paths to the production and realization of anti-colonial digital textuality. |
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Host Biblionumber | 10528 |
Host Itemnumber | 16510 |
Place, publisher, and date of publication | Sage publisher 2019 - |
Title | Cultural geographies |
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Uniform Resource Identifier | https://doi.org/10.1177/1474474019890319 |
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Koha item type | Articles |
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