Underground imaginations, environmental crisis and subterranean cultural geographies/ (Record no. 12934)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02188nab a2200265 4500 |
| 005 - DATE & TIME | |
| control field | 20220908144822.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220908b |||||||| |||| 00| 0 eng d |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hawkins, Harriet |
| 245 ## - TITLE STATEMENT | |
| Title | Underground imaginations, environmental crisis and subterranean cultural geographies/ |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Name of publisher, distributor, etc | sage |
| Date of publication, distribution, etc | 2020 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Pages | Vol 27, Issue 1, 2020 : (3-22 p.). |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | It is claimed that our current environmental crisis is one of the imaginations: we are in desperate need of new means to understand relations between humans and their environment. The underground was once central to the evolution of Western environmental imaginations. Yet, this has waned throughout the 20th century as eyes and minds turned up and out. After outlining some of the history of the underground as a site from which to evolve environmental imaginations, the article will explore how the underground might propagate environmental imaginations fit for pressing contemporary environmental concerns. It will do so using examples of three caves evolved through an ongoing arts practice-based research collaboration with artist Flora Parrott. Exploring these three caves, I will explore how the underground offers a powerful site for doing the imaginative work that our current environmental crisis requires, focusing in particular on the challenges of engaging lively earths and deep times (pasts and futures) that have become commonplace in the Anthropocene. To close, the article begins to reflect on the possibilities of collaborative creative geographies as a means to rethink the idea of the imagination within geography, as not just something that might be studied but that these creative practices might enable the creation of much-needed new imaginations. |
| 650 ## - Subject | |
| Subject | art, |
| 650 ## - Subject | |
| Subject | caves, |
| 650 ## - Subject | |
| Subject | imagination, |
| 650 ## - Subject | |
| Subject | subterranean, |
| 650 ## - Subject | |
| Subject | underground, |
| 650 ## - Subject | |
| Subject | Anthropocene, |
| 650 ## - Subject | |
| Subject | environment |
| 773 0# - HOST ITEM ENTRY | |
| Host Biblionumber | 10528 |
| Host Itemnumber | 16510 |
| Place, publisher, and date of publication | Sage publisher 2019 - |
| Title | Cultural geographies |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://doi.org/10.1177/1474474019886832 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Articles |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| -- | 50587 |
| 650 ## - Subject | |
| -- | 50380 |
| 650 ## - Subject | |
| -- | 52620 |
| 650 ## - Subject | |
| -- | 52621 |
| 650 ## - Subject | |
| -- | 52622 |
| 650 ## - Subject | |
| -- | 52623 |
| 650 ## - Subject | |
| -- | 50650 |
| 650 ## - Subject | |
| -- | 48042 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| -- | ddc |
No items available.