Rancière and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum/ (Record no. 12587)

MARC details
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fixed length control field 01507nab a2200253 4500
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control field 20220801164152.0
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100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Tolia-Kelly, Divya P.
245 ## - TITLE STATEMENT
Title Rancière and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum/
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher, distributor, etc Sage,
Date of publication, distribution, etc 2019.
300 ## - PHYSICAL DESCRIPTION
Pages Vol 43, issue 1, 2019 : (123-140 p.).
520 ## - SUMMARY, ETC.
Summary, etc Through aesthetics we can articulate affective politics and demonstrate new ways of ‘doing’ progressive politics. This article explores the politics and practice of dissensus within the museum with artist Rosanna Raymond. The article argues that the museum space, when critiqued through a postcolonial perspective and artistic practice, can be a vehicle for political change. Using Ranciere’s account of ‘politics’, the article outlines how a ‘redistribution of the sensible’ might be possible, one that that is inclusive of Maori space-time, self-determined cultural values and geoaesthetics.
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Subject dissensus,
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Subject museum,
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Subject postcolonial,
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Subject Rancière,
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Subject Rosanna Raymond,
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Subject sensibilities
773 0# - HOST ITEM ENTRY
Host Biblionumber 12579
Host Itemnumber 16491
Place, publisher, and date of publication London: Sage Publication Ltd, 2019.
Title Progress in human geography/
International Standard Serial Number 03091325
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier https://doi.org/10.1177/0309132517739141
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Koha item type Articles
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