Copying as Cultural Iconoclasm (Record no. 10891)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01103nab a2200181 4500 |
| 005 - DATE & TIME | |
| control field | 20201209115628.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 201209b ||||| |||| 00| 0 eng d |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Butcher, Matthew |
| 245 ## - TITLE STATEMENT | |
| Title | Copying as Cultural Iconoclasm |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Name of publisher, distributor, etc | Wiley |
| Date of publication, distribution, etc | 2019 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Pages | Vol 89, Issue 4, 2019 : (114-121 p.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Reverence for visionary avant‐garde architectures risks reducing them to a relic‐like, static status. How can their agency instead be kept alive? Drawing on the writings of historians and theorists Adrian Forty, Dario Gamboni and Rebecca Schneider, Guest‐Editor Matthew Butcher explores re‐enactment operating as a form of iconoclasm to continue the memory of avant‐garde ideals. His own recent speculative architectural projects, inspired by Italian Radical practice Superstudio and architect Raimund Abraham's work from the 1970s, embody this approach. |
| 773 0# - HOST ITEM ENTRY | |
| Host Biblionumber | 8720 |
| Host Itemnumber | 15394 |
| Place, publisher, and date of publication | West Sussex John Wiley & Sons Ltd. 1999 |
| Title | Architectural design |
| International Standard Serial Number | 0003-8504 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://doi.org/10.1002/ad.2465 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Articles |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| -- | 33762 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| -- | ddc |
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