Particlised : Computational Discretism, or The Rise of the Digital Discrete (Record no. 10854)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01158nab a2200181 4500 |
| 005 - DATE & TIME | |
| control field | 20201208120341.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 201208b ||||| |||| 00| 0 eng d |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Carpo , Mario |
| 245 ## - TITLE STATEMENT | |
| Title | Particlised : Computational Discretism, or The Rise of the Digital Discrete |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Name of publisher, distributor, etc | Wiley |
| Date of publication, distribution, etc | 2019 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Pages | Vol 89, Issue 2, 2019 : (86-93 p.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Has the dominant influence of classical science on architectural aesthetics had its day? Mario Carpo, Reyner Banham Professor of Architectural Theory and History at the Bartlett School of Architecture, University College London, comments on the evolution of a new science that has shifted away from continuous towards discrete models. As he observes, this is not limited to the most digitally minded: there are surprising parallels between the work of an architect such as Kengo Kuma, with all his anti‐computational zeal, and the young protagonists of the second digital turn. |
| 773 0# - HOST ITEM ENTRY | |
| Host Biblionumber | 8720 |
| Host Itemnumber | 15394 |
| Place, publisher, and date of publication | West Sussex John Wiley & Sons Ltd. 1999 |
| Title | Architectural design |
| International Standard Serial Number | 0003-8504 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://doi.org/10.1002/ad.2416 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Articles |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| -- | 33682 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| -- | ddc |
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